Four Upcoming Concerts Worth Your Time
Herb Alpert & The Tijuana Brass & Other Delights (Sell-Out Watch)
College Street Music Hall
238 College St, New Haven, CT 06510
March 26, 2026
Pop-jazz / classic brass-pop
Herb Alpert’s music still runs on elegance: clean melodic lines, rhythmic buoyancy, and arrangements that know exactly when charm beats force. The nostalgia angle is obvious, but the better reason to go is craft—songs built with enough snap and polish to outlive their era. In a room this size, the show should feel less like a museum piece than a reminder that sophistication can still move a crowd. Grade: B+
Reprise — Recreating 5/7/94 The Bomb Factory (Dallas, TX)
FTC Warehouse
70 Sanford St, Fairfield, CT 06824
March 26, 2026
Jam-band tribute / live reconstruction
Normally, reenactment is a warning sign. Here, the appeal is the opposite: a band trying to recover the looseness, nerve, and playful instability that made the original performance matter in the first place. Tribute logic works only when imitation gives way to momentum, and this setup looks built for exactly that. Grade: B+
The Hives
Toad’s Place
300 York St, New Haven, CT 06511
March 19, 2026
Garage rock / high-velocity rock
The Hives remain one of the few bands that can make discipline look deranged. Every riff is a shove, every pause a setup, every chorus engineered to hit before the room has time to get polite. In a club that rewards speed and swagger, this should feel less like revival than proof that the old combustion formula still works. Grade: A-
Cass McCombs + Band
Space Ballroom
295 Treadwell St, Hamden, CT 06514
March 20, 2026
Indie songwriting / folk-rock
Cass McCombs writes songs that seem to drift until they suddenly lock into place. The melodies are unhurried, the observations sly, and the band format gives the material a little extra backbone without sanding off its oddness. In a compact room, that combination should land exactly as intended: intimate, literate, and just off-center enough to linger. Grade: A-
This stretch of the calendar makes a good case for the corridor’s range: brass-pop polish, jam-scene devotion, garage-rock velocity, and songwriterly drift, all on the board before March is out.